attemper v.

word-forming element expressing direction toward or in addition to, from Latin ad "to, toward" in space or time; "with regard to, in relation to," as a prefix, sometimes merely emphatic, from PIE root *ad- "to, near, at."

Simplified to a- before sc-, sp- and st-; modified to ac- before many consonants and then re-spelled af-, ag-, al-, etc., in conformity with the following consonant (as in affection, aggression). Also compare ap- (1).

In Old French, reduced to a- in all cases (an evolution already underway in Merovingian Latin), but French refashioned its written forms on the Latin model in 14c., and English did likewise 15c. in words it had picked up from Old French. In many cases pronunciation followed the shift.

Over-correction at the end of the Middle Ages in French and then English "restored" the -d- or a doubled consonant to some words that never had it (accursed, afford). The process went further in England than in France (where the vernacular sometimes resisted the pedantic), resulting in English adjourn, advance, address, advertisement (Modern French ajourner, avancer, adresser, avertissement). In modern word-formation sometimes ad- and ab- are regarded as opposites, but this was not in classical Latin.

late Old English temprian "to moderate, bring to a proper or suitable state, to modify some excessive quality, to restrain within due limits," from Latin temperare "observe proper measure, be moderate, restrain oneself," also transitive, "mix correctly, mix in due proportion; regulate, rule, govern, manage." This is often described as from Latin tempus "time, season" (see temporal), with a sense of "proper time or season." But as the root sense of tempus seems to be "stretch," the words in the "restrain, modify" sense might be from a semantic shift from "stretching" to "measuring" (compare temple (n.1)). Meaning "to make (steel) hard and elastic" is from late 14c. Sense of "tune the pitch of a musical instrument" is recorded from c. 1300. Related: Tempered; tempering.