low-key adj.

"not high, below the usual level," late 13c., earlier lah (late 12c.), "not rising much, being near the base or ground" (of objects or persons), also "lying on the ground or in a deep place" (late 13c.). This is not found in Old English, so the word is probably from Old Norse lagr "low, low-down, short; humble," or a similar Scandinavian source (compare Swedish låg, Danish lav), from Proto-Germanic *lega- "lying flat, low" (source also of Old Frisian lech, Middle Dutch lage, Dutch laag "low," dialectal German läge "flat"), from PIE root *legh- "to lie down, lay."

In reference to sounds, "not loud," also "having a deep pitch," from c. 1300. Meaning "humble in rank" is from c. 1200; "undignified, not high in character" is from 1550s; meaning "coarse, vulgar" is from 1759. Sense of "dejected, dispirited" is attested from 1737. Of prices, from c. 1400. In geographical usage, low refers to the part of a country near the sea-shore (c. 1300), as in Low Countries "Holland, Belgium, Luxembourg" (1540s). Low German languages (1845) are so called for being spoken in the lower elevations of old Germany.

Abject, low, and mean may have essentially the same meaning, but low is more often used with respect to nature, condition, or rank: mean, to character or conduct: abject, to spirit. [Century Dictionary, 1897]

Low blow in the figurative sense (1940s) is from pugilism. To lie low is from mid-13c. as "get down so as not to be seen," 1880 in the modern slang sense "keep quiet." Low Church in 18c. English history referred to Anglicans laying little stress on church authority (1702); in 19c. it meant evangelical Anglicans.

"instrument for opening locks," Middle English keie, from Old English cæg "metal piece that works a lock, key" literal and figurative ("solution, explanation, one who or that which opens the way or explains"), a word of unknown origin, abnormal evolution, and no sure cognates other than Old Frisian kei.

Perhaps it is related to Middle Low German keie "lance, spear" on notion of "tool to cleave with," from Proto-Germanic *ki- "to cleave, split" (cognates: German Keil "wedge," Gothic us-kijans "come forth," said of seed sprouts, keinan "to germinate"). But Liberman writes, "The original meaning of *kaig-jo- was presumably '*pin with a twisted end.' Words with the root *kai- followed by a consonant meaning 'crooked, bent; twisted' are common only in the North Germanic languages." Compare also Sanskrit kuncika- "key," from kunc- "make crooked."

Modern pronunciation is a northern variant predominating from c. 1700; earlier and in Middle English it often was pronounced "kay." Meaning "that which holds together other parts" is from 1520s. Meaning "explanation of a solution" (to a set problem, code, etc.) is from c.1600.

The musical sense originally was "tone, note" (mid-15c.). In music theory, the sense developed 17c. to "sum of the melodic and harmonic relationships in the tones of a scale," also "melodic and harmonic relationships centering on a given tone." Probably this is based on a translation of Latin clavis "key," used by Guido for "lowest tone of a scale," or French clef (see clef; also see keynote). Sense of "mechanism on a musical instrument operated by the player's fingers" is from c. 1500, probably also suggested by uses of clavis. OED says this use "appears to be confined to Eng[lish]." First of organs and pianos, by 1765 of wind instruments; transferred to telegraphy by 1837 and later to typewriters (1876).

1762, "low or subdued tone," from under + tone (n.). Figurative sense of "undercurrent of feelings, etc.," is attested from 1861.