keynote n.

"instrument for opening locks," Middle English keie, from Old English cæg "metal piece that works a lock, key" literal and figurative ("solution, explanation, one who or that which opens the way or explains"), a word of unknown origin, abnormal evolution, and no sure cognates other than Old Frisian kei.

Perhaps it is related to Middle Low German keie "lance, spear" on notion of "tool to cleave with," from Proto-Germanic *ki- "to cleave, split" (cognates: German Keil "wedge," Gothic us-kijans "come forth," said of seed sprouts, keinan "to germinate"). But Liberman writes, "The original meaning of *kaig-jo- was presumably '*pin with a twisted end.' Words with the root *kai- followed by a consonant meaning 'crooked, bent; twisted' are common only in the North Germanic languages." Compare also Sanskrit kuncika- "key," from kunc- "make crooked."

Modern pronunciation is a northern variant predominating from c. 1700; earlier and in Middle English it often was pronounced "kay." Meaning "that which holds together other parts" is from 1520s. Meaning "explanation of a solution" (to a set problem, code, etc.) is from c.1600.

The musical sense originally was "tone, note" (mid-15c.). In music theory, the sense developed 17c. to "sum of the melodic and harmonic relationships in the tones of a scale," also "melodic and harmonic relationships centering on a given tone." Probably this is based on a translation of Latin clavis "key," used by Guido for "lowest tone of a scale," or French clef (see clef; also see keynote). Sense of "mechanism on a musical instrument operated by the player's fingers" is from c. 1500, probably also suggested by uses of clavis. OED says this use "appears to be confined to Eng[lish]." First of organs and pianos, by 1765 of wind instruments; transferred to telegraphy by 1837 and later to typewriters (1876).

c. 1300, "a song, music, melody; instrumental music; a bird-song; a musical note of a definite pitch," from Old French note and directly from Latin nota "letter, character, note," originally "a mark, sign, means of recognition," which traditionally has been connected to notus, past participle of noscere "to come to know," but de Vaan reports this is "impossible," and with no attractive alternative explanation, it is of unknown origin.

Meaning "notice, attention" is from early 14c.; that of "reputation, fame" is from late 14c. From late 14c. as "mark, sign, or token by which a thing may be known." From late 14c. as "a sign by which a musical tone is represented to the eye." Meaning "a brief written abstract of facts" is from 1540s; meaning "a short, informal written communication" is from 1590s. From 1550s as "a mark in the margin of a book calling attention to something in the text," hence "a statement subsidiary to the text adding or elucidating something." From 1680s as "a paper acknowledging a debts, etc." In perfumery, "a basic component of a fragrance which gives it its character," by 1905.

1570s, "character on a staff to indicate its name and pitch," so that the others may be known, from French clef (12c.) "key; musical clef; trigger," from a figurative or transferred use of classical Latin clavis, which had only the literally sense "key" (from PIE root *klau- "hook").

In the Middle Ages, the Latin word was used in the Guidonian system for "the lowest note of a scale," which is its basis (see keynote). The most common is the treble, violin, or G-clef, which crosses on the second line of the staff, denoting that as the G above middle C on the piano.