"form of artistic composition," 1855, from art (n.) + form (n.). Later also "any activity, regarded a form of artistic expression."
Entries linking to art-form
art n.
early 13c., "skill as a result of learning or practice," from Old French art (10c.), from Latin artem (nominative ars) "work of art; practical skill; a business, craft," from PIE *ar(ə)-ti- (source also of Sanskrit rtih "manner, mode;" Greek artizein "to prepare"), suffixed form of root *ar- "to fit together." Etymologically akin to Latin arma "weapons" (see arm (n.2)).
In Middle English usually with a sense of "skill in scholarship and learning" (c. 1300), especially in the seven sciences, or liberal arts. This sense remains in Bachelor of Arts, etc. The meaning "human workmanship" (as opposed to nature) is from late 14c. The meaning "system of rules and traditions for performing certain actions" is from late 15c. The sense of "skill in cunning and trickery" is attested by late 16c. (the sense in artful, artless). The meaning "skill in creative arts" is recorded by 1610s; especially of painting, sculpture, etc., from 1660s.
In science you must not talk before you know. In art you must not talk before you do. In literature you must not talk before you think. [Ruskin, "The Eagle's Nest," 1872]
Supreme art is a traditional statement of certain heroic and religious truths, passed on from age to age, modified by individual genius, but never abandoned. The revolt of individualism came because the tradition had become degraded, or rather because a spurious copy had been accepted in its stead. [William Butler Yeats, journal, 1909]
Expression art for art's sake (1824) translates French l'art pour l'art. First record of art critic is from 1847. Arts and crafts "decorative design and handcraft" is from the Arts and Crafts Exhibition Society, founded in London in 1888.
form n.
c. 1200, forme, fourme, "semblance, image, likeness," from Old French forme, fourme, "physical form, appearance; pleasing looks; shape, image; way, manner" (12c.), from Latin forma "form, contour, figure, shape; appearance, looks; a fine form, beauty; an outline, a model, pattern, design; sort, kind condition," a word of unknown origin. One theory holds that it is from or cognate with Greek morphe "form, beauty, outward appearance" (see Morpheus) via Etruscan [Klein].
From c. 1300 as "physical shape (of something), contour, outline," of a person, "shape of the body;" also "appearance, likeness;" also "the imprint of an object." From c. 1300 as "correct or appropriate way of doing something; established procedure; traditional usage; formal etiquette." Mid-14c. as "instrument for shaping; a mould;" late 14c. as "way in which something is done," also "pattern of a manufactured object." Used widely from late 14c. in theology and Platonic philosophy with senses "archetype of a thing or class; Platonic essence of a thing; the formative principle." From c. 1300 in law, "a legal agreement; terms of agreement," later "a legal document" (mid-14c.). Meaning "a document with blanks to be filled in" is from 1855. From 1590s as "systematic or orderly arrangement;" from 1610s as "mere ceremony." From 1550s as "a or rank at school" (from sense "a fixed course of study," late 14c.). Form-fitting (adj.) in reference to clothing is from 1893.