shoemaker n.

Middle English sho, "low-cut covering for the human foot," from Old English scoh, from Proto-Germanic *skokhaz (source also of Old Norse skor, Danish and Swedish sko, Old Frisian skoch, Old Saxon skoh, Middle Dutch scoe, Dutch schoen, Old High German scuoh, German Schuh, Gothic skoh). No known cognates outside Germanic, unless it somehow is connected with PIE root *skeu- "cover" (source also of second element in Latin ob-scurus).

The old plural form shoon lasted until 16c. The meaning "metal plate or rim nailed to the hoof of a horse or beast of burden to protect it from injury" is attested from c.1300. The distinction between shoe and boot (n.) is attested from c. 1400.

To stand in someone's shoes "see things from his or her point of view" is attested from 1767. Old shoe as a type of something worthless is attested from late 14c.

Shoes tied to the fender of a newlywed couple's car preserves the old custom (mentioned from 1540s) of throwing an old shoe at or after someone to wish them luck. Perhaps the association is with dirtiness, on the "muck is luck" principle.

c. 1300, "one who creates, shapes, forms, or molds," also "God as creator," agent noun from make (v.). Specifically, "manufacturer" by late 14c. To meet (one's) maker "die" is attested by 1814.

late 14c., (late late 13c. in surnames and place names), cobelere "one who mends shoes," of uncertain origin. It and cobble (v.) "evidently go together etymologically" [OED], but the historical record presents some difficulties. "The cobbler should stick to his last" (ne sutor ultra crepidam) is from the anecdote of Greek painter Apelles.

On one occasion a cobbler noticed a fault in the painting of a shoe, and remarking upon it to a person standing by, passed on. As soon as the man was out of sight Apelles came from his hiding-place, examined the painting, found that the cobbler's criticism was just, and at once corrected the error. ... The cobbler came by again and soon discovered that the fault he had pointed out had been remedied; and, emboldened by the success of his criticism, began to express his opinion pretty freely about the painting of the leg! This was too much for the patience of the artist, who rushed from his hiding place and told the cobbler to stick to his shoes. [William Edward Winks, "Lives of Illustrious Shoemakers," London, 1883]

[The tale is variously told, and the quote is variously reported: Pliny ("Natural History" XXXV.x.36) has ne supra crepidam judicaret, while Valerius Maximus (VIII.xiii.3) gives supra plantam ascendere vetuit. The version cited here confessedly is for the sake of the book name]